Poor White "Everyone in the world is Christ and they are all crucified" edition by Sherwood Anderson Literature Fiction eBooks
Download As PDF : Poor White "Everyone in the world is Christ and they are all crucified" edition by Sherwood Anderson Literature Fiction eBooks 
Sherwood Anderson was born on September 13, 1876 in Camden, Ohio. He was pretty much self-educated and his early career was that of a successful copywriter and business owner in both Cleveland and Elyria in Ohio. In November 28th, 1912 he suffered a nervous breakdown. It led to him abandoning both his business and his family to become a writer. Sherwood's first novel, Windy McPherson's Son was published in 1916 as part of a three-book deal. This book, along with his second novel, Marching Men (published in 1917) prepared him for the success and fame he was to find fame with Winesburg, Ohio a collection of interrelated short stories, Winesburg, Ohio (published in 1919). In his memoir, he wrote that "Hands", was the first "real" story he ever wrote. Despite writing further short story collections, novels, plays, essays and poetry as well as a memoir only his novel Dark Laughter, written in 1925, could claim to be a commercial best seller. His influence on the next generation of writers was immense. He not only help to obtain publication for William Faulkner, Ernest Hemingway but was an inspiration to writers of the calibre of John Steinbeck and Thomas Wolfe. Sherwood Anderson died on March 8th 1941 at the age of 64. He was taken ill during a cruise to South America and disembarked with his wife for the hospital in Colón, Panama, where he died. An autopsy revealed he had swallowed a toothpick, which had damaged his internal organs and promoted infection. Sherwood's body was returned to the United States, where he was buried at Round Hill Cemetery in Marion, Virginia. His epitaph reads, "Life, Not Death, is the Great Adventure". Here we publish the classic 'Poor White'.
Poor White "Everyone in the world is Christ and they are all crucified" edition by Sherwood Anderson Literature Fiction eBooks
Sherwood Anderson paints a broad stroke with an economy of language when he describes the advent of America's Industrial Age and its impact on the Midwest in Poor White. As the brutish, muddy pastoral that births the protagonist Hugh McVey gives way to factories and modern towns, so too do we as readers witness the tragedy and triumph of this American crawl to modernity and how it impacts the role of male/female, factory/farm. This is a quintessentially American novel that displays Anderson's literary skills with interiority and a good example of his writing that would so impact writers coming after him, particularly Faulkner.Product details
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Poor White "Everyone in the world is Christ and they are all crucified" edition by Sherwood Anderson Literature Fiction eBooks Reviews
book in excellent shape not something I enjoyed
The topic is very interesting but the book develops too slow and sometimes boring....
Anyway, I do not regret I went all the way till the end.
very different story, and very well written. A mega Horatio Alger tale with many insights into the culture of the US in the 19th century.
The character development in this book is extensive, which if the characters were more enjoyable or logical might be enjoyable as I am a fan of extensive character development. When the characters are interesting, going in depths into their thoughts and dreams is desirable. But with Hugh McVey, the main character of "Poor White" I found myself cringing towards the end of this book. It's understandable that a poor boy that spent his formative years doing not much more than laying on the river bank, sleeping in a smelly fish shack, would be apprehensive as he strikes out in the world. However as the character of Hugh McVey builds we seem to be left with a man that suffers from a debilitating form of shyness. Anderson spends an undue amount of time telling us again and again and yet again that McVey wants to be part of the community, yearns to have even a male friend with which he can talk. Has even stronger yearnings to be part of a woman's life, any woman will do obviously, because when in the presence of people male or female we are told again and again that Hugh McVey just cannot manage to speak. Anderson does not name the cause of this silence, instead he paints a picture of McVey as so lonely he spends his nights walking the town and surroundings essentially peeping in from the fringes at others life's.
Half way through the book, McVey's nightly wanderings, peeping in at windows, hiding behind trees, and following people in the town become almost creepy. One account depicts McVey as he follows young lovers in the town as they set out for the areas equivalent of lover's lane. As the young couples separate to walk off and sneak embraces and kisses in the night, we find McVey hiding behind trees and fences to watch. Really, kinda creepy. The narrative is that McVey longs to be able to do the same with a woman. Yet I found it harder and harder to sympathize with McVey as the book progressed because his shyness seems to be the sole culprit that turns the books main character into a skulking shadow on the fringes of the community. I found myself unsympathetic as this young man was made rich by fate suddenly , unbelievably rich for the times, he continued to skulk about like a stalker, unable to speak when in the presence of others. I can understand a bit of shyness from a young man never in the company of the fairer sex, but Anderson leads us to believe that McVey remains so shy, so lacking in words that he never learns to be at ease even among men that he works with daily. And the book goes on and on and on about McVey's inability to connect with others.
Then Clara, whom I found to be a completely unsympathetic and indeed even a detestable character. Anderson has Clara throwing fits of temper when she behaves inappropriately by staying out late, worrying her father or caretakers. When they attempt to discuss any such behavior with Clara she flies into quiet fits of rage and refuses to discuss anything with anybody, we are led to believe for days if not months at a time. Clara would have been a privileged young lady of that day. She seems to rage against women's perceived traditional roles, yet when given a unique opportunity for the times to attend college at a major university Anderson narrates that her grades are poor and Clara is seen as judging people she meets as somehow lacking. Clara does not embrace this chance to break out of traditional roles instead she spends three years at college pouting and judging the world as somehow lacking. Clara finally drops out of college and returns to her home town. Anderson spends much time explaining the musings and thoughts of Clara and I found them self centered and indulgent, worse yet lacking substance.
If it was exciting the following might be considered a spoiler, but the narrative on this is so boring that I do not consider it a spoiler. As the book winds down we find that Hugh McVey's debilitating shyness has him falling prey to a rushed marriage with the self centered Clara. When I say rushed I mean rushed. McVey shows up for the first time at Clara's door and she rushes him off in the middle of the night to the next town's magistrate to be married. The narrative immediately following the marriage is almost painful to read due to McVey's extreme shyness and the bitter character of Clara, I found the newlyweds a most unsympathetic pair.
Then Anderson takes a twist in the book and indeed had this fork of the story line been explored more in depth the book might have been redeemed. A local business man suddenly goes on a rampage and murders his employee in a most gruesome way. By chance as he is being pursued for the crime he attacks Hugh McVey in a scene that would be at home in a Vampire story. Instead of pursuing this story line a bit more in depth the book quickly ends.
For comfort Anderson gives us as a ending that today might be considered a picture of an clinically depressed Hugh Mcvey and for comfort a Clara that has somewhat decided to tolerate and mother her new husband. Very uninspired ending.
I honestly struggled between giving this book one star and two. Deciding on two simply because it's a long book and short parts are redeemable. Over all though Anderson missed the mark in this one. Anderson seems to lack the ability to create in depth characters without them becoming boring. Perhaps that is why his best book is Winesburg, in which he does short stories about the townspeople that while admirable separately, never come together in a coherent end. Yet the short character builds in Winesburg are worth reading. I may read it again in the future. I would have to be desperate for something to read to read " Poor White " again and I shall hope I never become that desperate.
Didn't like ending where it just breaks off but it does match the narrative. Definitely worth a read. Good author
I loved Winesburg, and enjoyed this book just as much. It treats some of the same themes, Americas transition from agrarian society to industrial, and the lonliness that accompanies it. Much of the book reads like poetry. Anderson writes like Edward Hopper painted....
I liked it. A psychological approach. He's concerned with the thought life of individuals and way that is involved in the changing thoughts of communities, society.
Sherwood Anderson paints a broad stroke with an economy of language when he describes the advent of America's Industrial Age and its impact on the Midwest in Poor White. As the brutish, muddy pastoral that births the protagonist Hugh McVey gives way to factories and modern towns, so too do we as readers witness the tragedy and triumph of this American crawl to modernity and how it impacts the role of male/female, factory/farm. This is a quintessentially American novel that displays Anderson's literary skills with interiority and a good example of his writing that would so impact writers coming after him, particularly Faulkner.
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